ILP 2: She Dreams in Technicolour
October 3, 2009 at 6:25 pm | In Animals, Papercraft, Papercutting, Photographs | Leave a CommentTo all you reading this blog: I’m finally back!! Sorry for the uber-long hiatus; been rather busy with school. So here’s a series of four papercut photos to be submitted for ILP 2:
Homage to Muybridge
So Fly Away
Last Respects
Untitled
I also want to give a big SHOUT OUT to everyone who gave your comments on this blog. Thanks for all your comments! And to those who requested for drawings etc, could you email me by clicking here? I’ll try to get to you as soon as possible after my exams are over. Good luck for mugging everyone! (:
TERM 2 ILP Submission: Papercut
May 27, 2009 at 9:49 pm | In Animals, Designs, Development, Papercraft, Papercutting | Leave a CommentPresenting my submission for Term 2’s ILP submission:
This is the final papercut made from white cardstock and painstakingly handcut by XY! (: The draft is now being exhibited in its own little corner in the Inner Plaza. I named the draft “Polar Lights” out of sheer desperation. I don’t think I’ll name this piece yet. Because the design was made through pure spontaneity and random mumbo jumbo. Can you find all the animals?
ILP Misc Papercrafts
April 28, 2009 at 8:22 pm | In Papercraft, Papercutting | Leave a CommentMore random papercrafts done during ILP today. Here’s the bovine skull from the previous pencil sketch and some flora. The flower was inspired by Peter Callesen! (But of course it’s no where near his work!)
2-D Deer Papercut
April 27, 2009 at 11:30 pm | In Animals, Paper Relief, Papercutting | Leave a CommentWinged Fox (or Wolf?) Papercut
April 21, 2009 at 9:11 pm | In Animals, Papercutting | Leave a CommentHere it is! I just finished it today. I remembered Mr G saying something about Cornelia Parker, so we tried out some shadow effects at the Photo and Film room during ILP today.
I’ve gotten a little tired of drawing these stuffs. I want something more expressive, more dynamic, more me… :/
p.s. if you noticed the weird pattern on the neck, it’s because I accidentally cut it so I glued it back but it’s not in the right position…
Fawn, She Dreams .Papercut Design
April 5, 2009 at 5:34 pm | In Animals, Doodles, Drawings, Ink, Papercutting | Leave a CommentWinged Fox Papercut Design
March 30, 2009 at 10:23 pm | In Drawings, Ink, Papercutting | 1 CommentI’ve just finished the Winged Fox Papercut Design from the previous post. Well, what do you think? (:
Final AEP Coursework 2008
October 15, 2008 at 7:31 pm | In Acrylic, Contemporary, Coursework, Installation, Paper Relief, Papercraft, Papercutting, Sculpture, Writings | Leave a CommentFiction, In Fact (2008)
Medium: A3 Paper 240 gsm, Glue, Acrylic
Dimensions: mm x (Base) 297 mm x 420 mm
Description: This artwork is a part-sculpture, part 2-dimensional site-specific installation. It is currently located on the first level of the school library and presented on a white pedestal. A white model of a dinosaur-bird hybrid bust is situated on the right of the longitudinal rectangular base. The head of the creature is created by adhering layers and layers of paper such that they are perpendicular to plane ground. By compiling multiple layers together, form is created by adding and removing layers at appropriate areas of contour. The creature’s head appears similar to that of a therapod dinosaur. Its mouth is open as though it were calling out. Five large head feathers protrude from the head of the creature; the size of each tail feather is larger than the one above it. The head is connected to the neck and upper torso, which is composed of stacking numerous layers of paper on top of each other. The layers of paper are stacked lengthwise, such that the layers of paper gradually decrease in size towards the neck. This creates volume for the upper body of the creature. A paper sculpture of an arm with wing feathers is adhered just slightly above the bust sculpture. The base of the artwork is a white, A3 sized cardstock joined to another layer of paper beneath. Both layers are presented in landscape. The paper beneath is painted a monochromatic gradient, starting with a dark black hue from the left, and gradually becoming a lighter grey towards the right, where the sculpture of the creature is placed. A silhouette of a dinosaur skeleton is cut out from the upper layer of the base, such that the gradient of the layer below is showing through the cut spaces of the skeleton. Although the skeleton cut-out clearly resembles that of a dinosaur’s, feather-like shapes appear to come out from the arm of the skeleton, forming a wing. The sculpture head is placed such that the neck of the creature is “joined” to the neck bones of the skeleton cut-out.
Meaning/Inspiration: Myths and fictional creatures have intrigued, excited and fantasized us for many centuries. But how did we manage to create such uncanny wonders that outlasted the erosion of time until today? This is the question that made me realize the intimate relation between reality and fantasy; that fantasy is actually a product fabricated from reality. What was really a prehistoric fossil could actually be the very element that catalyzed our ancestors to conceive the legendary dragon. My artwork manifests this relation in the rise of the mythological phoenix (fantasy) through its evolution from a dinosaur fossil (reality). However, these fantastic creatures and tales are gravely endangered by rapid modernization and scientific eradication. This sculpture is my wish for mutual symbiosis of reality and fantasy to endure the modern era. Through the rebirth of the phoenix from the ashes of science, fantasy seeks to find its pristine place again in our imaginations.
Reflections: I would definitely be more consistent in the following the shape of the cut-outs. Some uneven edges jutted out of the continuous shape. The head was be remade such that the layers are done in the same manner as the rest of the body. This way, it would not appear as though it were ‘plopped’ on.
Final Coursework—[Part 2]
September 14, 2008 at 2:00 pm | In Acrylic, Coursework, Paper Relief, Papercraft, Papercutting, Sculpture | Leave a CommentI’ve ranted long enough about my Coursework in the previous entry, so I shan’t ramble long:
I’m actually very proud of the skeleton base which I completed on Doomsday itself, and I spent an hour to painstakingly cut out the delicate skeleton. I pray it’s the saving grace to make up for the shoddy head. If there was one thing I could improve on, I would definitely change the head to “longitudinal style”. And be more diligent in adding layers so it will “blend” better. …And actually… I do feel disappointed… yet a little proud of myself. (:
Yep. That’s all.
p.s. Please click on Coursework in the Categories Section on the right to see other Coursework Entries.
Final Coursework—[Part 1]
September 14, 2008 at 1:44 pm | In Coursework, Paper Relief, Papercutting | Leave a CommentThis is what my Coursework looked like the night before the Final Doomsday of Submission (aka Friday the 12th). I hurriedly drew an outline of the skeleton base, which was to be cut out à la Papercut style.
Top View of Coursework
Study of 3-D Head Paper Relief
I am terribly disappointed with myself over the head. I did a “longitudinal” neck and chest, but a “vertical” style head. As a result, the head had to be slotted into the neck. It looks terribly wrong. Why didn’t XY do a “longitudinal” head then? Because I had a) No Planning, b) Poor Time Management, c) No Brains to even Think of that Idea in the First Place or d) ALL OF THE ABOVE. The correct answer is so obvious.
But then again, I must calm my emotional imbalance and reassure myself that this is a very adventurous attempt and bravo, kudos to myself for daring to do something so crazy and time-consuming. Not to mention eye-straining. =)
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